ARTICLE 16 will be projected 25th May-19th of June, overnight from the @johnhansardgallery in Guildhall square and The Alfred Arcade on Old Northam Road 5pm-7am (though is best visible after 8pm)
It will also be screened daily at The Spark at @solentuniversity
Thank you so much to Richard, Arron and Aanya for being part of this and giving us this gorgeous still of their family.
May 30, 2021
ARTICLE 16 is almost ready to rock! Just a slight more tweaking on one of the sites and we are ready to go! Had a great time installing @johnhansardgallery with the awesome @leebroughhall and @aspacearts The Alfred Arcade with the ultimate @kaneapplegate. And thank you to the @solentuniversity tech team for setting up the screens on campus for me.
ARTICLE 16 celebrates the non-traditional family unit. Over recent months, artist and filmmaker Asten Holmes-Elliott invited three queer and non-traditional households to capture their own typical family moments on old format Super 8mm film. These recordings were hand developed by the artist and edited to form three new film works.
The artwork hopes to capture LGBTQI+ families using a format that has been traditionally associated with the typical ‘nuclear family’. For the artist, it is a way to playfully insert queer people and families into a shared cultural memory, to challenge certain assumptions about what makes a family, to increase visibility, and to carve out space.
ARTICLE 16 will be projected overnight in Guildhall Square & Old Northam Road 5pm – 7am (although you probably can’t see it until about 8pm) and screened daily in Solent University, The Spark, East Park Terrace.
The new piece was made in partnership with a space arts, John Hansard Gallery and Solent University, and was made possible thanks to public funding from the National Lottery through Arts Council England @aceagrams
May 30, 2021
It’s process time! Hand developing the super 8mm film that has come back from the families for my @aceagrams funded project ‘ARTICLE 16’. I’m going to go through the steps of hand developing Super 8mm film in more depth, in case anyone is interested, but here’s a wee overview. Blindfold practicing loading my LOMO 8mm film developing tank! When I was a clapper loader (person who puts film in the big movie cameras and says scene 1, take 1, *snap*!) on film sets my boss use to send me to @procamtake2 warehouse to practice loading all the cameras that we might use and I would wear my shirt up over my eyes (to my boss’s dismay) to stop sneaking a peek when the mechanism got complicated as I had to be able to do it in complete darkness so as not to expose the film. For my 8mm process I had my lil make shift ‘darkroom’ (didn’t need to be dark as film was tucked up safely in the LOMO tank, which I loaded in the toilet with the lights off lol) @aspacearts Arch 04 by my studio @archesstudiossouthampton. Warmed up my chemicals in a water bath with a monitor heater. Mixed the E6 chemicals (as I chose to shoot colour reversal film) and worked out my timings and made sure I had them all plastered right in my view so not to miss a timing! The film is very sensitive to temperature and timings. And my nose is sensitive to the chemicals! I then used a laundry rack to dry the film, put it on a spool which was a nightmare! And it worked!! I couldn’t believe it! First time developing with these chemicals, and worked first time. It was slightly disconcerting as the image comes out as the film drys, so I left my studio thinking it hadn’t worked, and came back to find a lovely tonal image had come out, of Dad of participating family Benn Benjamin @iamnowbenn and his wee toddler Silver. Can’t wait for ARTICLE 16 to open soon!
May 30, 2021
Hi everyone it’s Fred, (@iffybiro @fredashleighthornton ) I’m going to take over Asten’s account every now and then to post about ‘Article 16’. Today I want to talk about #rainbowfamilies that ‘Article 16’ aims to celebrate. I have posted a couple pics of my own #rainbowfamily . Feel free to tell us about yours and tag and share like there’s no tomorrow.
My family is made up of seven absolutely wonderful weirdos.
My sister Maisie calls our non-bio dad Bryan a ‘lesbian’ as a term of endearment, the word ‘lesbian’ means something completely different in her head and is often accompanied with an affection shoulder squeeze.
I remember taking my brother Astor into Reading with our Christmas money to buy him his first dress that wasn’t a hand me down or Textiles GCSE project of mine (he was growing out of the denim shift dress). The dress we settled on had pink cars all over it.
My sister Billie told me she too was non-binary like it was the most casual thing in the world as I anxiously tried to broach the subject to her not sure if I would be able to explain it to an eight-year-old who already knew and embraced gender chaos.
My nan believed my friend Kelly and I were actually engaged because we referred to each other as ‘wife’ so often. When Kelly got engaged to Tom, she had even more questions so to wind her up we just responded that we were very modern and let her brain melt.
My family is made of blood relations and chosen people and like many people’s families it can be fragmented and confusing and damn near impossible to draw out in a family tree. I love my family as it stands and as much trauma and soap opera style dramas as we have gone through, I think we are the best most great family and everyone else is jealous. (but not really love and light and all that).
May 30, 2021
MEET THE ARTICLE 16 TEAM! Asten Holmes-Elliott is an artist and filmmaker whose work examines ideas of identity, otherness and belonging. They have been hoping to create ARTICLE 16 for a number of years, after revisiting their late father’s collection of 8mm home movies. Asten’s Dad was an artist and sculptor/stone mason, and named Asten after the ancient river crossed by the Normans in the Battle of Hastings, near the abbey he was restoring. He was 10 yrs old in WW2, and used the same standard 8mm camera to film his first family with Asten’s half siblings, and then their family, spanning the gap of generations. @aceagrams funded project ARTICLE 16 allows Asten to follow in his footsteps, where shooting LGBTQI+ families and home developing 8mm film will build a closeness to their Dad, whilst creating a speculative place in history for their own LGBTQI+ community where they can belong.
Eleanor Jones is a lecturer at the University of Southampton. She is particularly interested in queer theory and disability studies, especially the ways that queerness and disability relate to ideas about the ‘family’, and histories of race and empire. Dr Jones is cultural consultant on the project, helping us to contextualise the work and keeping us queer!
Fred is an artist living in Southampton whose interests lie in exploring personal relationships as a fat, ill, queer person. For this project they are handling social media and logistics whilst also exploring beliefs and ideals around family in their own practice.
May 30, 2021
And they’re back! Cameras and spent Super 8mm film are starting to arrive at the door from participating families. Looking forward to processing the film and seeing what treasures are inside. My older sisters spoke about when our Dad use to receive back a processed roll of Super 8mm film back after a holiday, and what an exciting moment it was. They made real ceremony of setting up the projector, the sheet as a screen and being nominated ‘the light girl’ to turn off the lights. They described the ritual as “releasing the butterfly”. I’m loving the little notes that are coming back written on the rolls of film from the families – “pretty sure this ones ok”, we had a bit of trouble with cartridges jamming unfortunately.
May 17, 2021
The families participating in our new Arts Council England funded project ARTICLE 16 will be receiving their equipment soon! Their boxes will include a Super 8mm camera circa 1976-ish, boxes of Kodak colour reversal film and their welcome pack. The families have been asked to simply film and capture their family moments, creating classic home movies. The project will result in a video art piece of LGBTQI+ families using a format that has been traditionally associated with the typical ‘nuclear family’. As explained in their packs: “It’s a way to playfully insert ourselves as queer people and families into a shared cultural memory as a way to challenge certain assumptions about what makes a family, to increase our visibility, and to carve out some space.” Really looking forward to what comes back. https://jhg.art/events/asten-holmes-elliot-article-16/
May 9, 2021